Poems
A Calling
You, if
there, can presence the
air, a
who—again I ask.
If there’s
word beyond wall, garden
beyond distance, then
soft, feather it, one might.
Might or might be
indispersible—thickearth, pewter chair—
unportioned in
open hands. Your
opened mouth moves
jaws to
stretch. You do.
Here you are.
Here you are again.
Mortar
As you hold the sand, sand holds a sharp carve, sustains as your hand rhythms a grip. I look, and it looks back: sand looks—at your hand, at sand, ripples—and sand ripples a past, chance cast bright, lake’s shadow, won’t shout, refuses to beckon, refuses.
The road ignores, won’t shout, either or our genealogy of making. The road ignores and refuses. The road sulks from the wheel, from walk, pretends to be no one’s yawn. A gust is firmer.
In tree’s branching, flutter, in leaves’ row, the sand refuses, the road ignores. A constant shut hides, but let the sway, let diversion mutter, even if the shore is near, even if you see the shore.
Yes, let this. This too is a name, a scaffolding though it breaks, is as it retreats in shatter, is as stop and stop, as lips against, touchless drift, away, against, is, true, away.
One
One way he
touched without
giving
away (and what could have
left, if he had
given it?), one
way: give
the words back.
He wants to write
anise, sine, sugar,
but writes sin,
surer, anti, salt. Dead
pond. He wants
and wants. He has
written
it down, ended it.
He has ended. It
lifts its head a second,
off the ground,
relaxes, sleeps, breezes.
“Sightpath—dreamt…”
Sightpath—dreamt
by let-
ters—or to talk
with closed eyes:
to whom to
turn? Chairs
noise the floor. Do
sounds speak the
light here, the
letter
of the length here?
“Which who, qui, who that…”
Which who, qui, who that
kind hung from the branch, could
stream the creek
to new bendings? A kin to these
knocks on the wood—this
opening beat, this hollowing of
the home-keeper’s fill—a
sail’s solar cloth breathes
the cleric’s
hope. Trust
safekeeping to the
garden: a
yard
holds for the court’s dwelling.
Andy Nicholson lives in Las Vegas and is working on a PhD at the University of Nevada, Las Vegas. His poems have recently appeared in Shampoo, Black Robert Journal, and Cannot Exist. He's reading a lot of
Jack Spicer, Yves Bonnefoy, and David Shapiro, these days.